Product Description
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Ben Carson (KIEFER SUTHERLAND) has seen better days. It's been
nearly a year since the volatile detective was suspended from the
NYPD for ally shooting another undercover officer, an accident
that not only cost him his job, but fueled the alcoholism and
anger that has alienated his wife and kids and left him cing
on his sister's couch in Queens. Desperate to pull his life
together and reconnect with his family, Carson takes a job as a
night watchman at the burned-out ruins of the Mayflower
department store. What once was a symbol of prosperity and
grandeur now sits decaying in the darkness like a rotting ghost
ship, destroyed by a massive fire that devoured numerous innocent
lives. As Carson patrols the eerie, charred remains of the store,
he begins to notice something sinister about the ornate mirrors
that adorn the Mayflower walls. Reflected in the gigantic
shimmering glass are horrific images that stun Carson. Beyond
projecting gruesome images of the past, the mirrors appear to be
manipulating reality as well. When Carson sees his own reflection
being tortured, he suffers the physical effects of his fractured
visions. Suddenly the troubled ex-cop finds himself battling his
personal demons and the ones that have hijacked his reflection,
tormenting him with convulsions, spontaneous bleeding and near
suffocation. His sympathetic but skeptical sister Angela (AMY
SMART) dismisses these bizarre "nightmares" as a consequence of
his stress and guilt over the accidental shooting, but Carson's
estranged wife Amy (PAULA PATTON), a no-nonsense NYPD medical
examiner, is less forgiving. Her husband's increasingly erratic
behavior frightens her, pushing his family farther away - and,
she fears, it's putting their children in danger. But a much
deadlier threat looms, trapped within the mirrors and reflective
surfaces that pervade their everyday life. As Carson investigates
the mysterious disappearance of a Mayflower security guard and
its possible connection to his ghastly visions, he realizes that
a malevolent, otherworldly force is using reflections as a
gateway to terrorize him and his family. If he has any hope of
saving his wife and children from a horrifying death, Carson must
somehow uncover the truth behind the mirrors - and convince Amy
to help him battle the greatest evil he has ever faced.
.com
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Kiefer Sutherland anchors this supernatural thriller from Hills
Have Eyes (2006) director Alexandra Aja about an abandoned
building that harbors vengeful spirits. Sutherland brings a
degree of his 24 intensity to his role as a disgraced
detective working a security detail at a derelict building. A
package from a former security guard--who commits suicide in the
film’s eerie opening moments--alerts Sutherland to the building’s
tragic past, as well as to the presence of dark forces with the
ability to harm the living; once aware of their presence,
Sutherland and his family become their next target. Mirrors works
best in its first third, where Joseph Nemec’s production design
delivers maximum chills. Where the film stumbles is its rush to
provide a slam-bang conclusion filled with CGI and other effects,
resulting in an unsatisfying, open-ended conclusion that does
much to dispel the film’s impressively Gothic atmosphere. The
unrated DVD presentation differs from the theatrical cut by mere
seconds, and the alternate ending included among the battery of
deleted scenes is a more satisfying conclusion than the one used
in the film. --Paul Gaita